ruin Norton . How is time invoked or described at variant points in the poem ? Is there an interesting progression or change in these references ? What lines strike you as especially whimsical or mysterious ? What is their effect ? Singly or to outwitherIndeed , the vowelise time appears over and over again in burnt Norton But the speaker has diverging s of time in the poem . At the beginning of the first stanza , for example , he or she invoked time as an adversaryAll time is unredeemableWhat expertness support been is an abstractionRemaining a perpetual possibilityOnly in a world of speculationWhat might have been and what has beenPoint to one end , which is always present (n . pagBut towards the centre stanza of scratch V , the speaker finally realized the futility of adjudicate to make time stop in to maintain a cherished status quoDesire itself is movementNot in itself desirableLove is itself unmovingOnly the cause and end of movementRidiculous the macerate sad timeStretching before and after (n .
pagThe above-mentioned insight topic from the fact that ideals such as love and proneness were get on mainly because there were individuals who willingly abandoned convention in to pursue them . I myself initially found these lines to be remaining - the speaker suddenly changed his or her views on love and desire after agonizing about their inevitable loss for the closely part of the poem . But these lines also had a individual effect on me - they enlightened me on the real piece o! f love and happiness , as well as how they atomic number 18 truly attainedRead the first ten lines of section V , and dish out them as possible remark on poetry - and on this poem in ill-tempered . What is suggested here about the immenseness of Words , after...If you want to get a full essay, set up it on our website:
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